A much-hoped-for Senate bill to protect Florida’s springs from growing pollution and low water flow was weakened this month. Other sensitive issues, including water pollution controls, also have been diminished. But the governor has so far not wrangled with the Legislature on the environment. Scott, who proposed $100 million for Florida Forever, would pressure the Legislature to increase the amount. “It’s a bait and switch.”Įnvironmentalists said they were hoping that Mr. “There is a shell game of sorts going on,” said Jennifer Hecker, director of natural resource policy for the Conservancy of Southwest Florida.
Ordinarily, these expenses are paid through the general pool of appropriations, not the special tax. “We thought the voters sent a pretty loud and clear message.”Ī large share of Amendment 1 money - more than $230 million - would go toward state agency operations and regulatory expenses, including paying for the salaries of state employees. “The word ‘land’ appears 18 times in the text of the ballot amendment,” said Will Abberger, the chairman of the Amendment 1 sponsoring committee, who helped lead the arduous task of getting the proposal on the ballot. But instead of using the bulk of the money to safeguard land from development, supporters of the amendment say, state lawmakers have shifted it to other projects and programs. The amendment was intended to bolster a popular conservation program, Florida Forever, that had been hard hit by state budget cuts. It was established when three-quarters of Florida voters approved constitutional Amendment 1, which sets aside part of a real estate tax. Lobo signed with Curb Records in 1977 releasing from the album the single Afterglow, co-produced by Lobo and Gernhard and in 1978 You Are All I Ever Need.MIAMI - Facing a thicket of candidates and ballot measures in the November election, Florida voters sent one resounding message to elected officials: More must be done to protect the state’s natural habitats - including the long-suffering Everglades.īut as the Legislature heads into the final days of this year’s session, Republican leaders are being criticized for the way they are divvying up a $750 million pool of money created to buy, conserve and restore land and water resources. In 1976, Lobo broke away from Big Tree, releasing the album Come With Me in Europe on the Philips label. The label followed it up with a compilation album that year entitled The Best of Lobo. Lobo also released the album, A Cowboy Afraid Of Horses with Would I Still Have You released as a single. Mid-1970s1980s In June 1974 Lobos fourth album Just A Singer.ĭont Tell Me Goodnight in 1975 became his last Top 30 single for Big Tree. There were two further minor hit singles from the album, There Aint No Way and in 1975 Standing At The End Of The Line. With the release of Calumet in 1973, Lobo had three more Top 40 hits: It Sure Took a Long, Long Time, How Can I Tell Her and Standing at the End of the Line.
Top 10 hits, including Dont Expect Me To Be Your Friend, which reached number 8 in the US charts, and Id Love You to Want Me. Under the Lobo alias, he released Of a Simple Man in 1972, which included back-to-back U.S. When Big Tree Records merged with Bell Records, Lobos second project album Close Up was never released. In September of the same year, California Kid And Reemo was released, followed by The Albatross.
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In June 1971 his second single, She Didnt Do Magic, was released.
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The first major hit for the label, it reached number 5 in the US and launched a successful series of singles.
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Vertical Horizon Discography Torrent Series Of Singles Gernhard was an executive for Big Tree Records, and the company released his first single, Me and You and a Dog Named Boo. It included the original tracks Happy Days In New York City backed with My Friend Is Here.Įarly 1970s By 1971, Lavoie had started calling himself Lobo ( Spanish for wolf ). It was in the latter band that he met musician Billy Aerts, who became a member of Lobos touring band in the early 1970s and produced Lobos comeback album in 1989.Īgain working with Gernhard, his first solo record was released in 1969 on Laurie Records. He recorded a regional hit for the band, a cover of Johnny Rivers song, What Am I Doing Here.ĭuring the 1960s, Lavoie performed with many other bands, including US Male, The Uglies, and Me and the Other Guys. In 1964, while attending the University of South Florida, Lavoie joined a band called the Sugar Beats and met producer Phil Gernhard.
The band included Gram Parsons and Jim Stafford, as well as drummer Jon Corneal, who later joined Parsons International Submarine Band.
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